Outdoor couple POV vlog Seedance 2.5 prompt

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李岳

Author @liyue_ai

50Likes19.7KViewsAug 15, 2026

Summary

Seedance 2.5 prompt creates clear, natural outdoor couple POV vlog scenes with realistic emotions and camera framing.

Prompt

seedance 2.5 generate an outdoor couple POV vlog. Swap in my CCD clear style heroine—results are pretty good. Overall it’s okay, but the blushing face is a bit unnatural. Three-view (front/side/back) of the characters Video prompt Seedance 2.5 prompt 👇 Duration: 20s Aspect ratio: 9:16 vertical Style: Couple POV handheld selfie realistic feel (Boyfriend POV), summer outdoor natural light, one take continuous shot with no cuts, real phone casual shot texture Role: main character @image1 [Camera angle & framing rules] The boyfriend holds the phone and shoots in first-person perspective. Maintain normal conversational social distance between the two at all times (about 1.5–2 meters). **Throughout the whole film, full-body and upper-body framings are the main focus. Never show an extreme close-up filling the frame with a face.** Framing changes come only from the two people walking naturally: - Opening: full-body medium shot (she is fully in frame; the ground under her feet and the trees behind are visible) - Middle: upper-body (above the waist) - Closest: a half-body close-up above the chest; the top of her head and shoulders must still be fully inside the frame, **and there must be room both above and below** The camera stays handheld with slight shake and realistic breathing rise and fall, naturally swaying with her movements, with slight defocus then refocus; no gimbal. [Environment] In the shade of trees on a summer afternoon path, she stands in dappled tree shadows. Behind her is a row of green trees and a road surface brightened by sunlight. Shallow depth of field turns the background into flowing green bokeh. Tree shadows slide slowly across her whole body from top to bottom with the breeze. No subtitles, no filters, no beauty retouching, no effects, no background music. —————— [00:00-00:04] Full-body medium shot · being called out, can’t manage a smile The opening is a **full-body medium shot**. She stands under the tree shade with her back slightly toward the camera, looking down at something in her hands (or adjusting her sleeve cuffs). Her weight is on one leg; she looks relaxed and casual, not looking at the camera. Off-screen male voice (very close, slight distortion like a phone microphone; casual tone calling her): **"Hey, look here—smile."** She reacts half a beat late: first a quick "Mm?" as she lifts her head, her gaze turns to the camera. Her eyebrows’ outer edges lift slightly, her shoulders dip slightly, showing an expression of "What? Now? Why are you filming me?" Then she tries to cooperate seriously— Her smile is a **failed smile**: - The corners of her mouth lift only a little, stopping halfway; teeth show only a small sliver - Her eyes can’t catch up—upper eyelids don’t drop into a real smile, the outer eye corners don’t crease; her gaze becomes a bit floating because "I’m being filmed now". Her eyes briefly slip away from the lens then pull back - Her chin tightens, her neck gets a little stiff; both hands don’t know where to go—one hand quietly pinches the cuff of the other She holds this halfway-lifted smile, her body gives a gentle sway. In a slightly uncertain tone she asks: **"…Like this?"** Her ending pitch rises and sounds a little shaky; right after the question, her mouth corners fall down a bit. [00:04-00:07] Upper-body · poked right at her soft spot The boyfriend steps forward; framing becomes **upper-body** (above the waist, leaving headroom). Off-screen male voice (laughing tone): **"Just like the day I met your mom for the first time."** Her reaction must have two layers with a pause in between: First layer (about 0.5s) — **doesn’t get it / doesn’t dare believe**: that half-finished smile stays stuck on her face without moving, but her eyes first go out of focus. Her eyebrows lift, her mouth slightly opens, her head leans forward a tiny bit—an empty "What did you say". Second layer — **she’s blown up**: her brows bunch hard toward the center, her mouth opens at once, her shoulders pop up. She leans forward half a step, her voice rises: **"How can it be the same! I was just nervous!"** As she speaks, her hand gestures and then retracts. Her cheeks redden slightly from excitement; her eyes stare at the camera, but her eyebrows are lifted upward—this is a clingy-style argument, not real anger. [00:07-00:10] Upper-body · can’t hold it in herself The next second after she finishes talking—she can’t hold it in herself first; the key is **she’s suppressing it, and it slips out**: - Step one: she presses her lips tightly inward but the corners on both sides start to twitch uncontrollably; they bounce a couple times - Step two: her nose first lets out air—a short "pfft" bursts from her nostrils; her nostrils flare wider - Step three: her eyes finally catch up—her orbicularis muscles contract; her eyes become two crescent lines, fine creases rise at the outer corners; her lower eyelids bulge - Step four: she can’t take it anymore, her mouth finally opens and the laughter comes out—her laughter is broken and interspersed with a pulled-in breath "hee-hee" laugh, not a loud continuous burst When she laughs, **her whole body participates**: upper body bends forward then straightens. One hand lifts to loosely cover her mouth; the other hand has nowhere to go, then pats her own thigh once. She can’t stand still while laughing, turns to the side and tucks her face away from the camera, then returns after two seconds. Even when her hair falls onto her face, she doesn’t bother fixing it. When she turns back, she’s still laughing and adds a half-sentence, words slightly chewed up: **"…You still bring this up!"** After that, she raises her hand and makes a light mock slap toward the camera—her palm passes across the lower part of the frame, brushing the edge near the lens (**without covering the entire frame**). The handheld camera shakes from the movement, then stabilizes back. The echo of laughter is still there; her shoulders still tremble lightly. [00:10-00:12] Upper-body · laughter interrupted Off-screen male voice (suddenly pulls back, becomes serious): **"Hey don’t move—something on your mouth corner."** Her laughter doesn’t stop immediately. It slides to a halt like braking: - The laughter gets smaller, turns into breathy air, then stops - Her lifted hand comes down - Her arched body straightens in small increments - Her squinted eyes reopen; the under-eye double crease fades - Only at the end does her eyebrows rise; two horizontal lines press on her forehead, revealing "Huh? Really?" anxiety A little leftover smile lingers at the mouth corner, mixed with new confusion; two expressions overlap on the same face. [00:12-00:15] Step closer · half-body close-up above chest · self-check She lets out an "Huh?" and takes a quick two or three steps toward the camera—**framing becomes a half-body close-up above the chest**. The top of her head and both side shoulders remain fully in frame; her face must **never** be enlarged to fill the screen. As she comes closer, the camera instinctively steps back half a beat; slight defocus then refocus. As she approaches, she urgently asks: **"Huh? Where?"** After stopping, she starts a rapid chain of real self-check gestures: - Slightly lower her head and tuck her chin; look up at the camera like using it as a mirror - Lift one hand to wipe the mouth corner twice; then look down at her fingertips - Push the mouth corner inward with her tongue from the inside; her cheek forms a small bulge - Press her lips in and out on both sides twice - Her brows lock; her eyeballs quickly scan up and down the lens [00:15-00:17] Frozen Off-screen male voice (slows down, softens, with a hint of a smile): **"…It got a little cute on you."** She **freezes on the spot for a full second**: her hand is still near her mouth corner and hasn’t dropped; her tongue is still pressing her cheek; her brows stay furrowed and her eyes stay looking up at the camera. Her whole face shows no expression. Only her eyeballs make a tiny horizontal movement—sliding away toward the side, then back. Then she exhales sharply through her nose and slowly lowers the hand she was holding up. [00:17-00:18.5] Half-second fake displeasure After handling it, her first reaction is to act annoyed: - Wrinkle her nose upward; creases form on both sides of the nostrils - Eyes squint into two thin lines; brows lock toward the center - Tilt her head to one side and pull her shoulders back half a step She makes a "Tsk" from her nose, steps back, and framing returns to full **upper-body**. But this annoyed look **lasts only half a second**—because it’s fake. [00:18.5-00:20] Shy wrap-up The fake anger melts layer by layer: the wrinkled nose bridge relaxes; the locked brows smooth out and the tail of her brows droops; her eyes curve again; her mouth corners lift one high and one low. She presses her lips in then can’t help relaxing. She doesn’t dare look at the camera; her gaze first darts downward, looking at her feet for half a moment, then she shyly lifts her eyes again to sneak a glance at the camera. Her eyelashes flutter. A blush spreads across her cheeks. She raises one hand and gently presses part of her cheek, shoulders drawing inward. Her body turns slightly; leaving only about three-quarters facing the camera. Her head dips and tilts to the other side, and with a mix of annoyed-but-sweet tone and a stretched ending pitch she says: **"Aww, you’re so bad—people get shy."** After that, she hides her face in her palm for a moment. Her other hand hangs at her side, pinching at her clothing. Her shoulders tremble lightly. Then from between her fingers she secretly looks back at the camera; her eyes form crescent moons and her lips press tightly, holding back a smile. The frame freezes in the **upper-body shot**, where she’s half covering her face while peeking at the camera. —————— [Full dialogue] | Time | Speaker | Line | |---|---|---| | 00:00.5 | Male (off-screen) | Hey, look here—smile. | | 00:03 | Female | …Like this? | | 00:04.5 | Male (off-screen) | Just like the day I first met your mom. | | 00:06 | Female | Can it be the same! I was just nervous! | | 00:09 | Female | …You still bring this up! | | 00:10.5 | Male (off-screen) | Hey don’t move—there’s something on your mouth corner. | | 00:12.5 | Female | Huh? Where is it? | | 00:15 | Male (off-screen) | …Got a little cute on you. | | 00:18.5 | Female | Aww, you’re so bad—people get shy. | [Performance overall outline] Emotion curve: casual standing → cooperates but can’t smile → exploded defense at her soft spot → tries not to laugh but slips out → tension when laughter is interrupted → curiosity and urgency → blank frozen → half-second fake displeasure → shy cuteness. Four hard rules: 1. **No performative big laughing.** All laughter must be the kind that "can’t hold it and leaks out": lips press first with twitching → nose first lets out air → eyes catch up last → only then does the mouth open. Laughter should be broken and pulled-in breath-like, not a consistent loud "hahaha" laugh, and don’t show gums. 2. **That opening smile must be a failed smile, not an exaggerated fake smile.** Mouth corners lift only halfway and then stop; eyes can’t catch up; the person looks a bit stiff and awkward—this is the real state of being told to smile but unable to. 3. **The exploded defense is not real anger.** Brows may furrow, but the brow tails lift upward; the voice rises with a soft trailing ending—it’s a coquettish questioning. After speaking, she laughs first. 4. **Framing throughout should mainly be full-body and upper-body. The closest framing must never go beyond above-chest; the head top and shoulders must always remain fully in frame.** At no time is it allowed to enlarge the face to fill the frame. [Sound effects] Pure live sound recording, with no post-production packaging: summer outdoor ambient noise (rustling leaves in the wind, occasional distant bird calls and passerby voices, occasional vehicle sounds); the boyfriend’s off-screen voice is slightly louder because it’s close to the lens, with mild near-talk distortion and breathy air sounds—when something is funny, he tries not to laugh too; her laughter (broken and pulled-in breath-like), breathing sounds, footsteps when approaching and fabric rubbing sounds, a single light sound when her hand brushes the edge near the camera lens, and the soft rustle when she covers her face at the end. No background music, no sound effect overlays, no subtitles.

Model: Seedance
Categories: Portrait Photography Creative Visuals
License: CC BY 4.0

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